We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure coreplatform@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Ibrahim and Tabbert continue on the topic of victims with an exploration of a selected passage by Iraqi Kurdish poet Sherko Bekas’ The Small Mirrors. The authors employ the framework of Critical Stylistics (Jeffries 2010) that is particularly suited to detect ideological meaning in texts.
Bringing together scholars from a range of disciplines, this book explores the analysis of crime-related language. Drawing on ideas from stylistics, pragmatics, cognitive linguistics, metaphor theory, critical discourse analysis, multimodality, corpus linguistics, and intertextuality, it compares and contrasts the linguistic representation of crime across a range of genres, both fictitious (crime novels, and crime in TV, film and music), and in real life (crime reporting, prison discourse, and statements used in courts). It touches on current political topics like #BlackLivesMatter, human (child) trafficking, and the genocide of the Kurds among others, making it essential reading for linguists, criminologists and those with a general interest in crime-related topics alike. Covering a variety of text genres and methodological approaches, and united by the aim of deciphering how crime is portrayed ideologically, this book is the next step in developing research at the intersection of linguistics, criminology, literature and media studies.
Tabbert analyses a schizophrenic offender‘s own account of his crime. She uses the stylistic toolkit to identify patterns in his language use and links them with symptoms shown by people suffering from schizophrenia. The chapter illustrates how isolating this mental illness is, leading even to committing a crime while reaching out for social companionship.
Introduces the volume, identifying themes, methodology and goals; positions it in relation to other works; and outlines the chapters and their running order as well as those features that unite chapters or lead from one to the next.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.